Wednesday, 24 February 2016

Curious Manor



I went to a new bar/restaurant today in Nottingham called Curious Manor. It's so quirky with an 'Alice in Wonderland' feel to it. There's even a big tree coming out the ground! In part of the restaurant there were these lovely line drawings of frames and clocks etc on the wall.  I really like these simple yet detailed illustrations and how they show another platform that maybe my work can be taken. This 'style' is similar to my line work and more of my older illustrations. Although I don't work with line as much I still do. The work I did for Milk X magazine (below) is very similar.







Anorak

I attended the talk today delivered by Cathy Olmedillas, owner, editor and art director of award winning childrens publication Anorak. The magazine is only published four times a year, with every issue having a different theme (inspired by the British National Curriculum) to inspire and encourage kids to tap into their natural creativity and learn while having fun. Each edition includes plenty of beautifully illustrated stories, games and activities perfect for kids!



The task given to us was to come up with a workshop for their upcoming even. This is something I don't think I'd be very good at and none of my peers were interested either, so a collaboration wasn't an option. Although I don't wish to do the task, I did find the talk interesting. Each issue includes education and activity based illustration, something I've brought in with my own work. I also like the idea that each issue has a different theme. I've used a similar concept with one of my Extended Practice briefs.

Jamie Oliver



Celebrity chef Jamie Oliver has made efforts to tackle the idea of food waste, an issue I'm clearly interested in myself. Together with his best friend Jimmy Doherty they have helped to showcase the issue through their show Jamie and Jimmy's Friday Night Feast. Most recently, Jamie has been involved in Asda's wonky veg box campaign. For these reasons, and because of the number of design platforms and branding elements within his businesses, so I thought they would be good to contact! I know it's a long shot but it's worth a try right? I told them about my recent project and sent then links to my work. 







Tuesday, 23 February 2016

Internship

http://www.birds.cornell.edu/page.aspx?pid=2381



The Cornell Lab of Ornithology offers paid internships through the Bartels Science Illustration Internship program. Each recipient works on a project illustrating birds, wildlife, and/or plants for the Cornell Lab of Ornithology’s print publications, outreach materials, and websites. Interns work on projects that help the Lab achieve its mission, and these projects often result in publication of the intern’s work.
Interns work on projects that help the Lab achieve its mission, and these projects often result in publication of the intern’s work. We do not teach our interns how to draw birds, but instead offer the opportunity to gain experience and refine skills by working in a stimulating production environment. Interns also have access to the many resources at the Cornell Lab of Ornithology and Cornell University, including entry to the Cornell University Museum of Vertebrates to study prepared specimens; daily contact with world-renowned scientists and researchers; access to the University’s extensive Library system; and the opportunity to be surrounded daily by original art by Louis Agassiz Fuertes, George M. Sutton, Andrew Goldsworthy, Charley Harper, Maya Lin, James Prosek, and others.
Qualifications:We are seeking candidates with the qualifications listed below. Preference will be given to applicants whose portfolios include ornithological work and who accurately illustrate birds, even if the artist’s style is graphic or abstract.
--Students (undergraduate, graduate, or recent graduates), or artists just starting their career
--At least 20 years old and/or have attended college for at least two years
--Experience and exceptional talent in illustrating, painting, or drawing birds and wildlife
--A focus on developing skills in ornithological art
--Fluency in English
Work Schedule: Internship appointments are flexible, but require a commitment of 39 hours per week and usually last between four and six months depending on work. The internship will be conducted at the Cornell Lab of Ornithology, in Ithaca, New York. No relocation assistance is provided. Visa sponsorship is not available. Funding may be subject to Federal and/or State income taxes.
Application: Please email the following items to Diane L.Tessaglia‐Hymes, at dianeth@cornell.edu, or send them to her addressed to: Cornell Lab of Ornithology, 159 Sapsucker Woods Road, Ithaca, NY 14850.
(1) Letter of interest stating why this internship is of particular interest to you and what you hope to gain from it. If you have a project of special interest to you, describe it in your letter; however, this is not required. Describe any particular interests or skills you have related to this internship.
(2) Your resume
(3) Two letters of recommendation from faculty members or colleagues familiar with your work. These may be included with your application or sent directly to Diane at the address above.
(4) Five or six samples of your work that you feel best reflect your skills in scientific illustration. Please include works that depict birds. Samples may be submitted as original art, high-quality reproductions or prints, or PDFs. Electronic submissions are preferred, and we discourage submitting originals or hard copies greater than 11 x 14 inches.
Application deadline: April 4, 2016. Unless prior arrangements are made, applications received after this date will not be considered for the current year but will be kept on file for future internships.

Monday, 22 February 2016

The Illustrator's Guide to Law and Business Practice



It was my birthday the other day and asked for this! Fred recommended it to us a few weeks ago so thought I'd get one! I can tell I'm growing up when I'm excited to get this as a birthday present!



Saturday, 20 February 2016

Sanna Mander



I came across Sanna Mander's work recently and fell in love. I can't believe that I've never seen her work before, especially when looking at food illustration. Of course, its her food illustration that caught my eye! Not everything interested me, it's mainly her work where she's illustrated motifs (I really am starting to see a pattern with the kind of work I like). The textures creates are very subtle but I feel as though they look scanned in rather than done digitally (I may be wrong). Her work is so crisp when finished however that at first you'd think it was all digital.There's something really playful about her illustrations. She has a lovely use of shape, colour and texture. Her images are flat in her compositions work; as if you're looking straight on. Love it!




They Draw and Cook


BEST THING EVER!

I found 'They Draw and Cook' on instagram during my CoP3 project as I was looking at food. I fell in love! A whole website/instagram dedicated to food illustration?! That's perfect for me! What's crazy is that they've started commenting on and liking me work and even started following me. They showcase so many great artists and they like my work- so happy. To be on their website you need to illustrate a recipe which although I did that last year, I'm not happy with it enough to submit it. I'm going to take my time and produce something I'm really happy with. Hopefully they'll showcase it when I'm done! The website showcases a number of styles and mediums so there's a real mix of artwork but it's all of lovely food! This is so perfect for me and I'm so happy I found it.



Thursday, 18 February 2016

Emailing Laura Babbs



Laura Babbs is the sustainability manager for Asda and I met her at The Big Freeze event a few months ago and interviewed her for my CoP research. Now that I've finished my CoP response, I thought I'd email her and send her my presentation boards. Her response wasn't that hopeful but she told me about 'Creative Concern', and said they might be worth looking at.



Wednesday, 17 February 2016

Sara Fanelli



During a group crit with Ben he recommended looking at a couple of websites and one was the websites of Sara Fanelli. She does a lot of college work that isn't really want I'm interested in. I do however like her work on the Pizza Express menu. I've recently found a few illustrators that have worked on restaurants menus and branding and have become increasingly interested in the idea of doing this myself. Perhaps I could email her for some advice. I love the hand made aesthetic to this work. Although he work must have been put trough digitally at some stage their is a real hand drawn feel coming through. This is strengthened through the loose, almost rough tone of voice. With the addition of hand written text/font and college, there's an almost strap book feel, giving the menu almost a sense of culture.



In terms of her website, this handmade aesthetic comes through again. I liked the homepage of the website, acting as a introduction before entering the full website. However, the website itself I didn't get on with. Every link and information I click on, it opened up as an image/separate tap. How strange? This was so annoying as whenever I clicked on something new it covered the last tap. Why would she do this? Maybe it's so it pushes the info on to the viewer, in the hope that they're more likely to see it?

Martin Haake




During my group crit with Ben I was told to look at Martin Haake's work and is lovely website. I went to look at his work for inspiration for my map project. Martin has done a few illustrations of maps, including the book 'City Atlas'. He works a lot with collage which isn't something I'd have the patience for, however I do love he's shape, colour and textures. Through using collage he is able to create different, quirky shapes, giving it that handmade personal feel. He also uses a lot of texture, some look like they're from the college and scanned in textures and some maybe digitally added. Textures seem to play a prominent role within his work. What I like, and what I've seen within other illustrated maps is that they're not exactly correct. In general, yes the information is right, but some imagery is enlarged or off balance if that makes sense? I think it just gives it a more illustrative and design feel to an otherwise boring map.


And as always I'm drawn to the food illustration...

This really stood out to me against anything else which is annoying as I was supposed to be looking at it for my map brief. Oh well! isn't it just lovely? Some bits are a little more detailed than others like the pasta maker and tomato can are more detailed than the very simple fish.





Tuesday, 16 February 2016

Ben's Presentation

Ben is represented by heart agency 
http://www.heartagency.com/artist/BenJones/gallery/1

- It's not important that you live and work to be in London anymore

- Ben works within editorial and publishing.

Editorial work:
  • usually a set price
  • £125 quarter page, cover £800
  • being successful in editorial is repeat business

Book publishing:
clockwork orange - won the folio society competition and was seen by the art director

Hard to get work with corporate businesses - only really get these jobs through agents - you can't really get your work infront of these type of people/businesses yourself. He has been able to get more work through Heart Agency.

How he secured a agent?
  • keep website simple
  • make it your own
  • bring file sizes down so it appears straight away - They want to look through quickly - they won't bother if images take ages to load
  • make work you feel with appeal to certain agencies you want to contact
  • make sure your emails are catered to individuals

Ben also works with underground press - unpaid
- only do things for free if you feel its beneficial to your practice


Buy the AOI contact list

portfolio:
  • keep it small so they're are likely to keep it and carry it around or on their desk - They won't want to carry something heavy 
  • portfolio on disk or memory sticks
  • postcards - something they can pin up and keep

agency with 40 people max - if they have too many clients, they won't need to find them much work for them to make money off them
Keep asking the same ones! Email them every time you update your portfolio/website.

Milk X - Published Work!




AHHHHH! Simon emailed me today and sent me the digital copy of my work from the magazine. So exciting! He's added the texted and photos in the frame, it looks so much better completed! He also said he's send my a copy of the magazine so I sent him my address. I can't wait to see it in person, it doesn't really seem real until I do. This feels so cool to actually have some work published. I never thought I'd be good at editorial illustration but this wasn't as difficult as I thought it was. I think this was partly due to Simon being very specific as to what he wanted the illustration to look like. Although it's not what I'm best at, I won't rule out doing more editorial work in the future.








Peter Donnelly




I came across Peter Donnelly's work and fell in love! I can't believe I hadn't seen it before now! His work is very up my street as he explores shape, colour and texture. He's worked with a number of really cool contacts that I'd love to work with myself. Each project states the art director he worked with, so this is something to note down. The work above is the piece I saw first. It stood out to me as he's illustrated food, and I think I've made it clear that I love drawing food. These illustrations were for 'Zizzi''s restaurant menu, a format I'd really like to work with. What also stands out to me is the way he's made compositions out of drawn motifs and objects, rather than creating a scene. Illustrating scenes is something that I struggle with in my practice, and I often worry that I can't stretch my practice very for if I'm just drawing motifs. After seeing Donnelly's work, it's town me that my work could be applied to a number of platforms.





Donnelly's website and breath of work is beautiful and eye catching. What I find interesting is seeing his development process. He includes both sketchbook/development sketches along with the final images, then in the final product in context. This is demonstrated in the images above. Although I like his work were he draws similar motifs, it's interesting to see some scene illustration as it's made it really simple. Perhaps I overcomplicate my work?




I've sent Peter an email asking for any general advice. We'll see if he replies!





Friday, 12 February 2016

CoP3 - Who can I contact

After I submitted my CoP last year I was encouraged to contact organisations that might be interested in what I had done. I received some really great feedback, and even the RSPB discussed the possibly of my pack at their meeting. Although that didn't come to anything, that work has now led me to be working with Natural England and if all goes well they might actually make my pack properly. This has shown me that although contacting people is scary, it's worth a try so I'm going to do the same with this years work.

I've started making a list of people I could contact:

  • Love Food Hate Waste
  • Wrap
  • Supermarkets 
  • the 3000 Club
  • Campus Kitchens
  • Food Recovery Network
  • Feed Back
  • Fusions
  • Food Waste Alliance
  • Think Eat Save
  • Boulder Food Rescue
  • Jamie Oliver?

Thursday, 11 February 2016

Commission - Almost Finished




I've just about finished my illustrations for this commission. I'm so glad it's nearly over!! This work has taken so much longer than I thought it would. With all my uni work going on it was really easy to put this work on hold. The client was completely fine with this, there's been no rush. There's small parts of the work that I'm happy with; the snake's face, the rat and the money bags in the bins. However, as a whole, I'm not proud of this work. From the start, I've found it to be a big challenge as the brief was a little odd. I also don't know a thing about politics which is terrible I know, but it was obviously a big disadvantage which took up a lot of time. The client was quite specific with what he wanted, and sadly this 'style' and area of illustration wasn't my something I'm strong at. I really struggled to create animal characters, especially with them being based on politicians. 




I added the finishing touches that he asked for to pull it all together. The idea being that it looks like a  job advert. A bit difficult with the long format he wanted. I've emailed him the updated illustration so I'm just waiting on a reply.


Tuesday, 9 February 2016

Crit with Patrick

I had a group crit with Patrick, Aggie and Olivia. We spoke about both our PPP and Extended Practice projects. In regards to my PPP we talked about my business cards. The card one the left shows my old information. Before the crit I recently changed the information (right image) because it wasn't correct and up to date and spaced the lettering out more as I find it a bit unclear to read. I showed Patrick and he thought the information is still far to small. I take up too much space with my name and make the important contact info too small. Although my play on my last name 'Hollings...worth talking to' was clever, it's more important that the info is clear. Because of this, I think it's best that I re-do my business card. I want the design to be able to work across all my media platforms, including my website. I'll have a play around with some designs.






Thursday, 4 February 2016

Invoice Designs

                                        Follow Rebecca's board invoice on Pinterest.

I've had a look at some invoice designs on pinterest and what I've found is that simple is better. An invoice doesn't have to be particularly exciting, but I do want some design element incorporated with mine. As I said I'd like to just keep mine simple and use whatever colour scheme I use within my other promotional material.  I think this will ensure that my the important information is clear to the point but will also be in keeping with my personal branding. My branding still needs to produced so I'm unsure what imagery I'll use yet.


Clair Rossiter





I've been following Clair on Instagram for a long time now and thought I'd contact her and say Hello! Her work is so lovely and quirky with her images not being a perfect replica of the thing itself. Her illustrations are colourful and vibrant and there's just something fun about them! She works a lot with children's books and for that she is signed up to The Bright Agency but I'm more interested in her other work. Her clients include: Paperchase, Sainsbury's, Tesco and BBC History Magazine. I've often worried about what area of illustration I want to go in to, but why do I have to choose? Yes, I have a preference, but I'd like to try everything. Clair's work is spread over a few different products and formats, which is something I wanted to ask her about. 




Clair's website is one that's stood out to me. Like her illustrations, it's fun and vibrant and stands out agents other basic websites. Going through her website is a fun experience. Each option has a small thumbnail illustration with white background to click on. A lot of the text on the website is hand written, even her bio, giving it a personal feel. I'm guessing she did this by uploading it as a picture. Maybe this is something I should consider? On other pages, the mix of pictures and text is a little more complicated and I'm not sure how she did it. It must have taken a lot of time and effort.





So as I said, I emailed Clair with a few questions, mostly just asking general advise and she replied so quickly with such a great reply. She took the time to not only give me loads of advice but to also looked at my instragam and website, picked out her favourite work and gave me some specific suggestions. There's a few other things she suggested I have a look at too, so I'll be sure to look at them.








She also started following me on Instagram and Facebook!!






Wednesday, 3 February 2016

Shauni Update - Possible future opportunity

I had an email from Shauni regarding the project we're working on with Natural England and my payment. She also asked if I could sent her some of my work to show the Natural England Partners. 'We met with one of the manager’s last week and he was really interested in seeing some of your work!' How exciting! There's been talk of them getting us involved with more paid work, so this is sounding hopeful!


I sent her the recent digital portfolio I've been working on. I didn't feel like I needed to send any other work as I knew it wouldn't be relevant or suitable.



I added this too just incase she didn't want a portfolio of stuff:



Shauni's reply: